(Source: clairetonic)

thoughtsofablackgirl:

blackhaireverywhere:

crimsong19:

consultingpiskies:

Jessica Williams speaks with Sgt. Jasmine Jacobs about Army regulation AR 670-1

Jessica Williams and Travon (one of the staff writers) do it again!

This is why white women can’t be in the natural hair movement

Had to bold that comment

nexttoparchitects:

by iwanbaan

pacegallery:

Artist Award: James Turrell will be among twelve honorees awarded with the National Medal of the Arts, the U.S. government’s highest award for artists and art patrons. Turrell’s groundbreaking visual art captures the powers of light and space, challenging our perceptions of art and reality. Presented by President Barack Obama, the ceremony can be streamed live at 3PM on Monday, July 28: whitehouse.gov/live. pacegallery:

Artist Award: James Turrell will be among twelve honorees awarded with the National Medal of the Arts, the U.S. government’s highest award for artists and art patrons. Turrell’s groundbreaking visual art captures the powers of light and space, challenging our perceptions of art and reality. Presented by President Barack Obama, the ceremony can be streamed live at 3PM on Monday, July 28: whitehouse.gov/live.

pacegallery:

Artist Award: James Turrell will be among twelve honorees awarded with the National Medal of the Arts, the U.S. government’s highest award for artists and art patrons. Turrell’s groundbreaking visual art captures the powers of light and space, challenging our perceptions of art and reality. Presented by President Barack Obama, the ceremony can be streamed live at 3PM on Monday, July 28: whitehouse.gov/live.

chrisvisions:

brianmichaelbendis:

 Alex Toth’s black and white artwork.

Weak in the knees. I’m weak in my knees. MY KNEES!!!
chrisvisions:

brianmichaelbendis:

 Alex Toth’s black and white artwork.

Weak in the knees. I’m weak in my knees. MY KNEES!!!
chrisvisions:

brianmichaelbendis:

 Alex Toth’s black and white artwork.

Weak in the knees. I’m weak in my knees. MY KNEES!!!
chrisvisions:

brianmichaelbendis:

 Alex Toth’s black and white artwork.

Weak in the knees. I’m weak in my knees. MY KNEES!!!
chrisvisions:

brianmichaelbendis:

 Alex Toth’s black and white artwork.

Weak in the knees. I’m weak in my knees. MY KNEES!!!
chrisvisions:

brianmichaelbendis:

 Alex Toth’s black and white artwork.

Weak in the knees. I’m weak in my knees. MY KNEES!!!
chrisvisions:

brianmichaelbendis:

 Alex Toth’s black and white artwork.

Weak in the knees. I’m weak in my knees. MY KNEES!!!
chrisvisions:

brianmichaelbendis:

 Alex Toth’s black and white artwork.

Weak in the knees. I’m weak in my knees. MY KNEES!!!
chrisvisions:

brianmichaelbendis:

 Alex Toth’s black and white artwork.

Weak in the knees. I’m weak in my knees. MY KNEES!!!
chrisvisions:

brianmichaelbendis:

 Alex Toth’s black and white artwork.

Weak in the knees. I’m weak in my knees. MY KNEES!!!

chrisvisions:

brianmichaelbendis:

 Alex Toth’s black and white artwork.

Weak in the knees. I’m weak in my knees. MY KNEES!!!

(Source: ungoliantschilde)

k-eke:

The Legend of Zelda : Feather Time.

Join this new epic adventure introducing pigeon Link !

… Well I wanted to create an epic legend …. with birds ^p^” !

panelslang:

loupblaster:

Last day on sale for my ACTRESS’ GHETTOVILLE inspired print.Find it hereA LTD edition illustration inspired by Actress’s 2014 album Ghettoville 50 x 65 cm Ink on paper Screen printed at Atelier OASP  w/PishPun in France Shout out to Darren, Werkhaus & Werkdiscs

Good album, amazing illo
panelslang:

loupblaster:

Last day on sale for my ACTRESS’ GHETTOVILLE inspired print.Find it hereA LTD edition illustration inspired by Actress’s 2014 album Ghettoville 50 x 65 cm Ink on paper Screen printed at Atelier OASP  w/PishPun in France Shout out to Darren, Werkhaus & Werkdiscs

Good album, amazing illo
panelslang:

loupblaster:

Last day on sale for my ACTRESS’ GHETTOVILLE inspired print.Find it hereA LTD edition illustration inspired by Actress’s 2014 album Ghettoville 50 x 65 cm Ink on paper Screen printed at Atelier OASP  w/PishPun in France Shout out to Darren, Werkhaus & Werkdiscs

Good album, amazing illo

panelslang:

loupblaster:

Last day on sale for my ACTRESS’ GHETTOVILLE inspired print.
Find it here

A LTD edition illustration inspired by Actress’s 2014 album Ghettoville 
50 x 65 cm 
Ink on paper 
Screen printed at Atelier OASP  w/PishPun in France 

Shout out to Darren,
 Werkhaus & Werkdiscs

Good album, amazing illo

comiccartography:

Hyalin

Ariel Ries (witchy-comic)

Witchy

wheelr:

guttersnipercomics:

letteringlibrary:

How To Format A Comic Book Script

"Notes as follows:

1) A page header with the book title, number and writer’s name.

2) Each new script page should begin on a new document page. And you can’t miss the page number when it’s big and bold. Often, I have to skim through a script to look for a note or direction. Big page numbers help tremendously.

3) Panel numbers almost as bold and clear as the page number.

4) Panel descriptions for the most part don’t have to be that lengthy unless it’s really necessary. The actions of characters should be here, (not in the lettering area; see #6) set direction, and notes to the other members of the creative team if necessary.

5) Also, the digital age has given us the greatest source of reference that comic creators have ever had access to. Links to reference photos should also be included in the panel description.

6) Under each panel description is the lettering area. Everything that needs to be lettered goes here.

7) Each item in the lettering area should be numbered. If the editor is doing lettering placements, these numbers correspond to the placements sent to the letterer.

8) The call-out of each lettering item and any descriptors like these:

CHARACTER (OFF), meaning the character is speaking from off-panel.

CHARACTER (WHISPER), self-explanatory.

CHARACTER (BURST), meaning the dialogue is shouted and should be in a burst balloon.

CHARACTER (WEAK), character’s dialogue should be diminished.

CHARACTER (SINGING), self-explanatory. Usually accompanied by music notes.

9) Like dialogue, captions have their own descriptors:

NARRATION or CAPTION (CHARACTER), self-explanatory. The inner thoughts of a character.

CAPTION (TIME/PLACE), such as, “New York, 2013.”

CAPTION (VOICE OVER), meaning the character is speaking, but is not in the location shown in the current panel.

10) SFX, self-explanatory, “sound effect”.

11) Dialogue should be indented, NOT tabbed over. If you use tabs, the letterer has to run find/replace searches on the document to delete them all before lettering. (To use indents in MS Word, go: Format / Paragraph / Indents & Spacing.) Dialogue should also be written in plain sentence case, not CAPS.

12) Dialogue that should be bold in the comic, should be bold and/or underlined in the script. If you use caps for bold dialogue, the letterer will have to convert it to sentence case before lettering.

13) Non-English dialogue should be italic. Whole blocks of dialogue that are translated into English, should begin with a , and are usually accompanied by a caption explaining what language is being spoken.”

- Nate Piekos

http://www.comicbookscriptarchive.com/archive/panel-1/how-to-format-a-comic-script/

Very cool.

This is in fact the format I use, and one that I know is being passed around by writers both professional and aspiring. It’s an excellent, intuitive format.

coolpages:

Cable #70 (Marvel Comics - August 1999)

Writer: Joe Casey
Illustrators: José Ladrönn (Pencils) Juan Vlasco (Inks)